FALL SEMESTER 2010
ART 101 DRAWING
Tues./Thurs. 12:45 - 3:15 p.m.
 

BILL SANDUSKY
        Office 144 Mor.        
tel.: 4651
e-mail: sandusky@saintmarys.edu

Office Hours:
Mon. 12-1 p.m., Tues. 10-12:30 p.m., Thurs. 10-12:30 p.m., Fri. By Appt. only

CALENDAR

Art must be about something.

AUG.

 24

 TUES.  Intro, syllabus, supplies, Etc. Sketchbooks

AUG.

 26

 THURS.  Line: Gesture/Tool Drawings- Charcoal, conte, gesso - Jim Dine

 

AUG.

  31 

 TUES.  Line: Gesture - Sketchbook Assignment #2   MAG opening

 SEPT.  

 2

 THURS  Line: Gesture - Crit. 2 Drawings  Recpt. 9/5, 2-4 pm

 SEPT. 

 7  

 TUES.  Landscape - pencil, conte (or contour)  

 SEPT. 

9

 THURS  Landscape continued   (or contour)  

 SEPT. 

  14 

 TUES.  Landscape (or contour) - Submit Sketchbooks  

  SEPT. 

16

 THURS  Crit: Landscape - Value: Subtractive
 

  SEPT. 

 21 

 TUES.  Value: Still life study - pencil/charcoal  

  SEPT. 

 23

 THURS  Value: Still life study - charcoal on Stonehenge .
One learns to draw by drawing.

  SEPT.

 28

 TUES.  Value: Still life study

  SEPT.

30

 THURS  Value: Still life study - Crit: Value   
  Recpt.; 10/4, 4-6 p.m.

OCT.

 5

  TUES  Sequential Ink Drawings - ink, speedball pens, brushes -  Scout  locations & develop ideas  

  OCT.

   7 

 THURS.  Sequential Ink Drawings MAG Opening, 10/10

  OCT.

  12 

  TUES  Sequential Ink Drawings -Crit: 2nd 1/2 of class  

 OCT.

 14

 THURS.  Field Trip to area museum - bring sketchbooks  
Drawing is about choices. Make good ones.

OCTOBER 16 - 24 MID-SEMESTER BREAK

                             

 OCT.

 26

 TUES.   Portraits  

  OCT.

 28

 THURS.  Figure Drawing: hand studies, Pearlstein video  

  NOV.

2

 TUES.   Figure: Live Model  

 NOV.

4

 THURS.   Figure: Live Model - conte & charcoal  

  NOV.

 9

 TUES.   Figure: Live Model - Submit Sketchbooks  

 NOV.

 11 

 THURS.  Figure: Live Model - Ink & brush   

 NOV.

16

 TUES.  No Class for Reviews  

 NOV.

 18 

 THURS    Critique & submit figure drawings - Portraits
 

 NOV.

23

 TUES.  Final Project Intro  

 NOV.

  25 

 THURS.  No class for Thanksgiving Holiday  

11/16 & 11/17 Portfolio Reviews

NOVEMBER 26 - NOVEMBER 30 THANKSGIVING VACATION
 
                                There is no life without art.                              

 NOV.

 30

 TUES.   Final Project  

   DEC.

 2

THURS  Final Project - Containers (maybe) Senior Comps, 12/7 - 12/14

 DEC.

 7

 TUES.  Final Project - submit sketchbooks for last time Recpt.: 12/7, 4-7 p.m.

 DEC.

 9

THURS.  Last Class Day. Evaluations - Crit: Final Projects  

* NOTE: Welcome to this semester's beginning drawing course.

Statement of Why This Drawing Course Can Satisfy the Core Requirement:

The study of, and making of, Drawings will aid in developing both your critical and problem solving skills while promoting greater awareness, imagination, interpretation and personal expression. This course should permit you to develop abstract concepts, gain an aesthetic appreciation for various visual approaches, and to create physical solutions without reliance on preconceived answers. In the creation of your drawings you will develop a deeper self-knowledge and a valuable set of tools for use in interpreting the world around you.


This is only a tentative schedule that is quite subject to change based on how things go with the folks in this course. We will do our best to coordinate both sections of this course so there is little, if any, difference between them.  Everyone is expected to arrive on time for class. It is imperative that we get started on time since there is a great deal of material to cover in a relatively limited amount of time. Unexcused missed critiques count as two absences. Any missed class before or after a break counts as two (2) absences. After three (3) absences, each additional absence will decrease your grade by 1/2 letter. You are being allotted enough time to adequately complete each assignment. Each drawing assignment is to be complete by the assigned date. You can change/alter/improve your work after a critique, in fact you are expected to. You are expected to work a MINIMUM of nine (9) hours per week for this course. To complete all that is expected, you will need to put in at least this much time, but if you productively use class time there should be little problem with completing everything required. I would strongly advise you to not miss any classes though, because they will be difficult to make up. There is a great deal planned for this fall semester, and it should be a good one. Let's try to make it a great one.

* NOTE:  Don't compare your work to your classmates. Compare it to what you think you are capable of. Most importantly, enjoy the experience, and learn as much from it as possible.

Drawing Goals and Objectives (in addition to those already mentioned).

And, another section that we have all been instructed that we must include follows. Sorry for the repetition.

You will be expected to attend campus cultural events and vitisting artists' lectures when they occur, and I would like to see you keep a sketchbook with notes about these events alone with drawing studies.

Acacemic Honesty Code: When a students submits any work for academic dredit, she makes an implicit claim that the work is wholly her own, done without assistance of any person or source not explicitly noted, and that the work has not been previously submitted for academic credit in any area.

Course Cancellation Policy: If it is necessary to cancel a class for some unforseen realon I will try to contact you by e-mail. The secretary of the Departkment will also be notified and she will puit anotice on the doors of the studio. If there is not a note from the office the class is not cancelled. In the event that a class is canceled (or that for some reason I cannot be there) you should still work on you own in the studio. You should have a key so it should not be a problem.

College Policy for Students with Disabilities: Any student who is eligible for accommodations to complete the requirements and expectations of this course because of a disability should make her needs known to me and should also contact Iris Giamo, in tghe Disability Resource Office (x4262) or e-mail; igiamo@saintmarys.edu for an appointment to review documentation and arrange for appropriate and legal accommodations. Students who suspect they may have a disability are also encouraged to contact the Disabilities Resource Office.

This is only a tentative schedule that is subject to change based on how things go with you folks. Everyone is expected to arrive on time for class. It is imperative that we get started on time since there is a great deal of material to cover in a relatively limited amount of time. Unexcused, missed critiques count as two absences. Any missed class before or after a break counts as two (2) absences. After three (3) absences, each additional absence will decrease your grade by 1/2 letter. You are being allotted enough time to adequately complete each assignment. Each drawing is to be complete by the assigned critique date. You can change/alter/improve your work after a critique, in fact you should. You are expected to work a MINIMUM of nine (9) hours per week for this course. To complete all that is expected, you will need to put in at least this much time, but if you productively use class time there should be little problem with completing everything required. I would strongly advise you to not miss any classes though, because they will be extremely difficult to make up. There is a great deal planned for the semester. It should be a good semester. Let's try to make it a great one.

One last thought. This course is based on production. You are actually making art rather than merely studying that of others. There is no one correct way to produce art works, but many, and you are encouraged to find your own. It is however still a beginning drawing course, and there are certain proceedures then need to be followed. As the semester progresses you will be allowed more freedom to be more personally expressive, but for now we are here to learn some of the basics. I am a firm believer that one learns by being self-taught with guidence. You will learn much more about art production from doing rather than trying to imitate. I do hope you will enjoy the process, and I will gaurentee that you will develop a greater appreciation for drawing after trying it yourself. Best of luck, and if you ever have any questions do not hesitate to present them.

 

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